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Titre : |
Victor Basch: towards esthetics of perception? |
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Numéro : |
18 |
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Année : |
2002 |
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Volume : |
VIII |
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Auteur(s) : |
Jean-Claude FILLOUX |
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Résumé : |
Victor Basch is known mainly for his position during the Affaire Dreyfus, as a militant for human rights, assassinated in 1944 by the Vichy Militia. But it must not be forgotten that he was professor of esthetics and science of art from 1914 to 1933 at the Sorbonne, that the books and articles he wrote after his thesis on the esthetics of Kant in 1896 allow him to be considered as a precursor of what we today call “esthetics of perception”. This text evokes the essential points of the analysis proposed by Victor Basch of “creative contemplation”, as well as his comments on the Venus d’Urbin by Titian, and the Fantasia for piano op. 17 by Schumann. Implicit in this writing is the hope that art might be an instrument of “reconciliation” between humans... |
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Pages : |
41 - 54 |
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DOI : |
https://www.cairn.info/revue-internationale-de-psychosociologie-2002-18-page-41.htm |
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Type : |
Research paper |
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Keywords : |
Victor Basch, esthetics of perception, aesthetics,perception, Basch |
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APA : |
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Citations : |
1 |
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CAIRN : |
https://www.cairn.info/revue-internationale-de-psychosociologie-2002-18-page-41.htm |
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