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| Titre : |
Perversion and sublimation |
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| Numéro : |
19 |
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| Année : |
2002 |
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| Volume : |
VIII |
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| Auteur(s) : |
Jacqueline BARUS-MICHEL |
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| Résumé : |
Under this title the intention is to examine relations between perversion and creation.
The pervert mimes the castration of the strict Father, he does not stop, jubilant and sarcastic. Charged with embodying a Judeo-Christian scenario, he acquits himself of it and plays at the Devil. He defies God, the Law, Love, and claims to appropriate pleasure. Of course, there are ordinary perverts who wear themselves out trying to perpetrate bilious pleasures that they believe to be sulphurous. But there are admirable perverts who renounce all contracts, deconstruct all the self-evident to act differently, in jubilation. In this deconstruction-action, perversion and sublimation are linked.
Perverts and creators, are Sade, Picasso, taken as examples, damned or are they heroic adventurers? Do they revive the myth of Prometheus grabbing from the gods power and freedom with fire? At the cost of suffering, their own and the suffering of others, their burning work resurrects the real, instruments death and offers a human form of transcendence. |
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| Pages : |
157 - 175 |
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| DOI : |
https://www.cairn.info/revue-internationale-de-psychosociologie-2002-19-page-157.htm |
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| Type : |
Research paper |
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| Keywords : |
perversion, sublimation, Sade, Picasso, |
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| APA : |
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| Citations : |
5 |
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| CAIRN : |
https://www.cairn.info/revue-internationale-de-psychosociologie-2002-19-page-157.htm |
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